Assembling a world-class ensemble of 24 string players drawing from the Quartets JACK, Sirius, Flux, and Bergamot, here performing as SysOrk, Elliott Sharp's large-scale algorithmic composition provides simple instructions to the participants, creating a seething sonic tapestry of shifting, swirling tones and acoustic drones, exceptionally immersive and detailed.

Highlighting the parallel to changes in birdsong in urban areas because of anthropogenic ambient noise, this diverse ensemble demonstrates the evolution of improv approaches through unique origins and backgrounds; with Chad Fowler (stritch, flute), Shanyse Strickland (French Horn), Sana Nagano (violin), Melanie Dyer (viola), Ken Filiano (bass) and Anders Griffen (drums).

Using members of the violin family augmented with effects, NY violinist Sana Nagano and violist Leonor Falcon pay homage to Prokofiev's Sonata for Two Violins and Bela Bartok's Etudes 1 & 2, reinterpreted for modern contemporary approaches, alongside new compositions from both Nagano & Falcon that show their virtuosic talents and playful attitude to performance.

A 2nd album of inexplicable and fascinating genre merging based around Americana roots music sliced and diced with jazz/improv, electronica, and Downtown NY forms, from the core trio of Sam Day Harmet (mandolin), Sana Nagano (violin), and Zachary Swanson (upright bass) with guests Susan Alcorn on pedal steel guitar, avant bluegrass guitarist Stash Wyslouch and Soundpainter Walter Thompson.

The opening and closing tracks from the new Blazing/Freezing album on a 7" single by the genre-merging Downtown NY trio of Sam Day Harmet (mandolin), Sana Nagano (violin) and Zachary Swanson (upright bass) deconstructing Americana roots music by slicing and dicing it with jazz/improv, electronica, sample sources, and inexplicable errata.

A superb chamber jazz trio from NY improviser and violinist Sana Nagano, with Karl Berger on piano & vibraphone and Billy Martin on drums & percussion, Nagano having a long history with each through Berger's Improvisers Orchestra and with Martin through Creative Music Studio, their connections evident in their articulately energetic and confident collective conversations.

A superb chamber jazz trio from NY improviser and violinist Sana Nagano, with Karl Berger on piano & vibraphone and Billy Martin on drums & percussion, Nagano having a long history with each through Berger's Improvisers Orchestra and with Martin through Creative Music Studio, their connections evident in their articulately energetic and confident collective conversations.

The debut of a new electric jazz quintet from NY violinist Sana Nagano, with Peter Appfelbaum on tenor saxophone & megaphone, Keisuke Matsuno on electric guitar, Ken Filiano on acoustic bass & effects, and Joe Hertenstein on drums, an inventive and energetic album of joyful urgency and tremendous group dynamic, fueled by Nagano's exuberant and lyrical compositions.

The debut of a new electric jazz quintet from NY violinist Sana Nagano, with Peter Appfelbaum on tenor saxophone & megaphone, Keisuke Matsuno on electric guitar, Ken Filiano on acoustic bass & effects, and Joe Hertenstein on drums, an inventive and energetic album of joyful urgency and tremendous group dynamic, fueled by Nagano's exuberant and lyrical compositions.

Astroturf Noise is Sam Day Harmet on mandolin, Sana Nagano on violin, Zach Swanson on bass, Billy Martin on percussion, and Sarah Bernstein on violin, living at the intersection of American folk & roots music and free improvisation, using effects and sonic additions in an unusual mix that the quintet makes completely natural and all their own.

Astroturf Noise is Sam Day Harmet on mandolin, Sana Nagano on violin, Zach Swanson on bass, Billy Martin on percussion, and Sarah Bernstein on violin, living at the intersection of American folk & roots music and free improvisation, using effects and sonic additions in an unusual mix that the quintet makes completely natural and all their own.